Salo nudity
Revisiting the horrors of 'Sal Salò, or the Days of Sodom (Italian: Salò o le giornate di Sodoma), billed on-screen as Pasolini's Days of Sodom on English-language prints [3] and commonly referred to as simply Salò (Italian:), is a political art horror film directed and co-written by Pier Paolo Pasolini.
A Serbian Film These scenes of physical inspection and observation bring a clinical nature to sex and nudity, juxtaposing Pasolini’s previously made series Trilogy of Life, where the films had a jovial and innocent outlook on nudity and sex compared to the brutal and disgusting portrayal of sex and nudity in Salò, or the Days of Sodom. The libertine.
Arabian Nights
The girls are forced to serve food completely naked, which leads to one of them being violently raped on the floor as the men watch on in amusement. This section of the film also features the murder of a girl who tries to escape, demonstrating to the others that they have no choice but to endure days of pure pain, humiliation and degradation.Extreme Cinema
The Canterbury Tales Salò, or the Days of Sodom, Directed by Pier Paolo Pasolini. Starring Paolo Bonacelli, Giorgio Cataldi, Umberto P. Quintavalle and Aldo Valletti. Pier Paolo Pasolini’s final film.
Sonia Saviange Salo, on the other hand, everything from the sounds, the shots, the colors, and even the nudity feels cold, distant, muted, like the viewer is not supposed to be here, and being there makes it all feel unnatural. Salo is just a movie that makes you feel dirty—and that is the whole point, instead of being a filthy movie in the colloquial sense.
Caterina Boratto
- This entry was posted in 70's Movies, Exploitation, Foreign Films, Italian Films, Kidnapping Movies, Movies Based on Novels, Movies with a rural setting, Movies with Nudity, Sex and tagged 70's Movies, Entertainment, Movies, Review. Bookmark the permalink.
- Giorgio Cataldi